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- Antique White 32x40 8ply RMB 401720: Rising Museum Boards.
Product Description
Antique White 32x40 8ply RMB 401720: Rising Museum Boards.
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Product Code : RMB 401720 Availability : In Stock Video : Rising Museum Board-V3.mp4 |
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Antique White 32x40 8ply RMB 401720: 20 sheets per box. Rising® The Art of Preservation. Rising Museum Boards. The most trusted brand of Museum Boards - Worldwide. 100% Cotton, Acid-Free, Tree-Free. Superior Standards: Rising Museum boards are made with 100% cotton and sets the industry standard that others attempt to meet. It not only meets, but exceeds the standards set by the Fine Art Trade Guild and the Library of Congress. Did you know? Rising is used in the following museums . The Metropolitan Museum of Art . Museum of Modern Art . Solomon R Guggenheim Museum . The National Gallery . The Library of Congress . The Smithsonian Institution . Museum of Fine Art, Boston . Isabella Stuart Gardner Museum . The J. Paul Getty Museum . Norton Simon Museum . Los Angeles County Museum Art. The Preservation Qualities of Rising: Your fine art deserves the highest quality matting and mounting materials made today, and so do your customers. The unique methods of manufacturing, content purity and quality make Rising Conservation and Museum Board the ideal choice for lasting performance. 100% Cotton: Cotton is naturally lignin-free. One hundred percent rag is used to produce all Rising Museum Board. The result is a board that provides matchless quality and extraordinary preservation characteristics. Rag papers have survived the test of time. Acid-Free: Rising Board is made with a minimum pH of 7 and is acid-free. No alum is used in the entire papermaking process. Adhesive: The single ply sheets are laminated together using an inert adhesive that is 100% acid-free and archival. Buffering: All Rising boards are buffered with a minimum 3% calcium carbonate (except the Photomount papers, which have no calcium carbonate buffering) as required by the U.S. Library of Congress to protect the board from hostile environmental factors. Eco-Friendly: The cotton used to manufacture Rising Museum Boards is not from the puffy white flower that we all recognize as cotton, but rather the linters, or byproduct, from the textile industry. Textiles are made using the longest, highest-quality fibers - the rest is discarded. This wasted cotton is salvaged and used to manufacture Rising Museum Boards. Nothing could be more eco-friendly than reusing a product that is considered waste - otherwise this would all end up in the trash. Pigments: Only the finest pigments are used in the manufacturing process to ensure that all the colours will not bleed, rub off or fade.* (*Due to the use of carbon black dies used to manufacture the Black Rising Museum Boards, there will be some minor scuffing). The light-fast colours are solid throughout and are fixed into the fiber. Each run of Rising Museum Board is matched to a stored colour sample and controlled using computerized colour measurement and trained colour technicians. Rigid Quality Control & Consistency: Rising Museum Board is continuously tested during the manufacturing process by both computer and manual controls to ensure conformance to the TAPPI and ASTM specifications required by the archival community. Superior Cutting: No other board cuts as precisely as Rising to produce an ultra-sharp and clean bevel. To ensure this quality all plys are from the same quality and caliper with consistent density throughout. Rising Museum Boards have been touted by museum and framing galleries worldwide as the best cutting board in the market. As the demand for matting and framing of larger pieces of quality artwork increases framers are finding that they need larger shops. Rising has responded to this demand by expanding the range of products available in its Rising Museum Board line, including oversized, 100 percent cotton fiber boards. Rising Museum Board, which is acid-free, available in a focused colour palette and meets quality standards exceeding those set by the Library of Congress and the Fine Art Trade Guild in the United Kingdom, is now available in both 48" x 72" and 60" x 104" sizes in shades of white and warm white. These new oversized Rising boards come in both 4 ply and 8ply varieties and ship in their own strapped, protected master carton containing 10 sheets each. The most significant advantage of Rising over any other cotton board are its clean-cutting quality and consistency. If a framer is matting with an 8-ply board, they want the bevel cut to be clean, without any fraying. Framers using Rising rely on this feature. These boards are also clean. If you're framing a piece of art, the one thing that can ruin the mat is a small speck or dent on the surface Rising Museum Boards are speck and dirt free. Rising paper is currently the only company offering 60"x104" oversized, 100-percent cotton museum boards, which allow framers greater capabilities to work with larger pieces of artwork.
